Category: Press

Press: Mamie Gummer, Madeline Brewer, Brian Cox Join William Brent Bell’s ‘Separation’

Mamie Gummer, Madeline Brewer, Violet McGraw and Brian Cox have been added to the cast of Separation, joining Rupert Friend in the pic, a supernatural thriller directed by A Devil Inside helmer William Brent Bell.

The film takes on the horrifying consequences of divorce, and is being described as a cross between Kramer vs. Kramer and films like Sixth Sense and Mama. Friend and Gummer will play Jeff and Maggie, a newly separated couple battling for custody of their 7-year-old daughter (McGraw). Brewer will play the couple’s longtime nanny, and Cox is Maggie’s overbearing father. Nick Amadeus and Joshua Braun penned the script.

Bell is producing with Yale Productions’ Jordan Yale Levine, Jordan Beckerman Russ Posternak and Jesse Korman, along with RainMaker’s Clay Pecorin and Russell Geyser. Seth Posternak and Dennis Rice are xecutive producers, and Yale Productions’ Jon Keeyes is a co-producer.

Gummer, up next in Season 3 of HBO’s True Detective, is repped by CAA and Untitled Entertainment. Brewer, who is currently in Hulu’s The Handmaid’s Tale, is with CAA, Inphenate, and attorney Joe Dapello.
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Press: Handmaid’s Tale star Madeline Brewer on playing a camgirl in Netflix’s webcam porn thriller Cam

The Handmaid’s Tale actress Madeline Brewer delivers a star-making turn in new Netflix Original movie Cam, set within the world of webcam porn.

Brewer plays ambitious camgirl (ie on-screen, real-time sex performer) Alice, aka Lola, who discovers she’s been replaced by an exact replica of herself. Being a horror movie fan, Brewer was interested in the role from the get-go, but had to make sure of one thing.

“After I read it, I was torn because I felt like I couldn’t let anybody else play this character, I have to play her, but it was also tough,” she told Digital Spy.

“This is a difficult character, a lot of moving parts and also I’m not a camgirl, but I wanted to be able to tell the story of a camgirl truthfully and I wanted to do it justice. Then I found out [writer] Isa [Mazzei] was a former camgirl and I was like, ‘I have to do this’.”

According to Brewer, it’s because of Mazzei that Cam avoids being gratuitous and is instead an authentic and “truthful” look at the lives of camgirls, albeit one with potentially supernatural elements at play.

“They gave me the reins of Alice and let me go with what I felt instinctively and Isa kept us in the world of truth and making a different film than we’ve seen before about sex workers and [Director] Danny [Goldhaber] kept us in the world of this is the artistic expression of that,” she reflected.

“It was very collaborative, so much discussion and conversation and I, at every moment, felt like my voice was heard as an actor and as a fellow artist, and that was so important. The character wouldn’t have happened without that rapport.”

The thriller sees Brewer deliver a dual role as both Alice and what the filmmakers called “Lola 2”, the exact replica that takes over Alice’s account.

“Most of the time, we shot a lot of Lola 2 first and then I, as Alice, could watch back Lola 2. But there was a lot of me staring at a screen with tracking marks on it, there was a lot of that which was very challenging,” she explained.

As challenging as it was, Brewer isn’t ruling out returning to the role should there be a sequel if Cam is a hit with audiences.

“I’m really very proud of it. I just believe in all of them so much, having witnessed their artistry first hand. I would play this character again a thousand times over,” she enthused.

Cam arrives on Netflix on November 16.

Press: The 10 best new films and TV shows on Netflix UK, November 2018

FILM: Cam (from November 16)
Dir: Daniel Goldhaber Cast: Madeline Brewer, Patch Darragh, Melora Walters
Cert: 15
Year: 2018

In a nutshell: Daniel Goldhaber’s feature debut sees Brewer play a cam girl. When her online life is hacked, and she’s replaced by a doppelganger, she must fight back. It’s an unlikely Hitchcock tale for the millennial age.
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Press/Photos: ‘Hedgehog’ HD Screencaps + Scans

Press/Photos: ‘Hedgehog’ HD Screencaps + Scans

I’ve added HD screencaps of Madeline’s film Hedgehog which costars her Handmaid’s Tale actress, Ann Dowd. It was a good film and a different role for Madeline. You can rent it on Amazon.

I’ve also added magazine scans of Madeline from GQ (Mexico) and The Hollywood Reporter.

Press: New Netflix November 2018 Movie and TV Titles Announced

New Netflix November 2018 movie and TV titles announced

The Netflix November 2018 movies and TV titles have been announced and can be viewed below! All Netflix November 2018 titles and dates are subject to change. You can also view the titles disappearing from Netflix in November underneath. Which Netflix titles are you looking forward to and which are you sad to see leaving the service?

Available 11/16/18
Cam – NETFLIX FILM
Narcos: Mexico– NETFLIX ORIGINAL
Ponysitters Club: Season 2– NETFLIX ORIGINAL
Prince of Peoria– NETFLIX ORIGINAL
She-Ra and the Princesses of Power– NETFLIX ORIGINAL
The Ballad of Buster Scruggs– NETFLIX FILM
The Break-Up
The Kominsky Method– NETFLIX ORIGINAL
The Princess Switch– NETFLIX FILM

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Press: Madeline Brewer, ‘Handmaid’s Tale’ Star, Just Wants You to Be OK

The hallways of the Four Seasons Hotel in Beverly Hills are hushed and dark and nearly empty. The doors to certain rooms are marked with women’s names: SAMIRA, ALEXIS, ELISABETH. When those doors swing open to allow you in, the woman on the other side will be very beautiful. She will be made-up, coiffed, nicely dressed, very poised. She will be eager to greet you, to speak with you, to answer all of your questions.

My door is labeled MADELINE, and it grants me access to Madeline Brewer, the 25-year-old actress who plays Janine on Hulu’s adaptation of Margaret Atwood’s 1985 novel, The Handmaid’s Tale, launching its second season Wednesday, April 25. You might remember Janine from when she lost an eye as punishment for disobedience in an early episode, or for her midseason pregnancy, or from the finale, in which she and the baby—sorry, no spoilers, but if you saw it, you know.

Today, Brewer is sitting in a sunlit corner of a well-appointed suite, wearing an orange minidress and high, strappy heels. She is waiting patiently for me to come pepper her with questions about her career (her first role, straight out of college, was an addict named Tricia on Orange Is the New Black; Brewer also appeared on Netflix’s Hemlock Grove and Black Mirror before landing Janine) and perhaps her personal life (she had dinner with Nick Jonas once, and it made a lot of headlines).

I’ve been watching Handmaid’s Tale screeners all morning, previewing its somehow-even-more-fucked-up-than-the first second season, so I come in rattled: There’s something about the contrast between the dark hallways and well-lit jewel box room, the fresh fruit on platters and the publicist in the corner, monitoring our conversation, that feels ominous. But Madeline—she introduces herself as Maddie—is no cowed Handmaid, or even an actress media-trained into giving good sound bite. She’s funny, wry and charming, especially once she warms up to you.

And that’s important to her, that she makes people feel safe and welcomed. Brewer deals with anxiety and depression, which sometimes manifests as social anxiety. “I approach situations with a little more, I like to hope, empathy,” she says. “Because I don’t want to ever hurt someone. I’m a little fragile in that way, because I don’t want that to happen to me. I want to make sure everyone’s comfortable.”

Luckily, she says, her coworkers share the same ethos: “Lizzie [Elisabeth Moss, who plays the show’s lead, June] is the kind of person who scoops you into a big hug when she first sees you, and is like, ‘How are you?’ And you don’t feel like it’s a formality. There’s never been a moment where I’ve felt any level of weird animosity or competition [on set],” Brewer reports, “which I know that there can be. I’ve been on shows where someone was like, ‘You’re in my shot.’ A man. I was like, ‘Excuse me for existing.’”

I recoil. Brewer shrugs. “People do that. It’s the nature of our business! We’re all a little bit vain. We put our faces on a screen and expect people to look at them.” She gestures at the mirrored wall behind her. “I did all of my phone interviews while staring myself in the face. I’m not kidding. I don’t care. I’ll admit it! And I’m just, like, checking myself out. Like I don’t see enough of myself.”

The pressure put on everyone in Hollywood—but particularly young actresses—to appear a certain way means that Brewer is especially grateful for the unprettiness of the characters she portrays on screen, which allow her to escape, even briefly, that type of self-scrutiny. “I find myself most comfortable in something opposite of me, because I live in the Instagram age,” she says. “So it’s really, really liberating as a person, but also as a character, to not be like, ‘I hope I look thin in this.’ I don’t think about that when I’m wearing six layers of robes.”

Letting go of aesthetic concerns helps keep her centered in her performance. On Orange Is the New Black, Tricia was a prisoner worried about feeding her addiction, and whether her girlfriend would leave her once they weren’t serving time in adjacent cells; Janine lives in a misogynist dystopia in which her only role is to deliver viable, healthy babies for a man who owns her like property.

“They don’t give a shit about what they look like,” Brewer says of her characters. “They don’t care! I mean, there is a deep part of Janine that’s like, ‘I have one eye—who will ever love me?’ but that’s a whole other can of worms. On her day-to-day, Janine doesn’t get up and think about what her arms look like. ‘Should I do more push-ups?’ She doesn’t give a shit.”

Brewer, however, lives in America, which may get compared to The Handmaid’s Tale’s Gilead, but isn’t there yet. So she copes with her reality the way most of us do. She decompresses from the intensity of her work by taking long baths: “If it’s been a particularly emotional day, sometimes I go home and cry in the bath, and then I go to bed,” she says. But no matter what, “There’s always a bath. Whether it’s been a good day, bad day, what have you, there’s always a bath. Working or not, there is a bath.”

She favors Lush bath oils for keeping her skin smooth. “I’m super dry,” she reports. “I’m like the driest person. I got a facial yesterday, and the person was like, ‘We need to help you.’” (To be fair, she notes, she’s been traveling like crazy—Los Angeles, Toronto, New York—which tends to take a toll on the complexion.)

Brewer does use Instagram, though not just for selfies. It’s a part of her creative practice, helping her more deeply imagine Janine’s experiences of motherhood—especially important since Brewer doesn’t have kids of her own.

“I actually have a Finstagram, like a burner Instagram,” she explains, “and on it I have pictures of babies I don’t know, which is weird. I have a lot of pictures on my phone of random people’s babies that I found on the internet that I imagine [Janine’s children] might look like, just to try. I pick the ones I think kind of look like me. It’s just this weird thing that I do.”

She also has a manifestation Instagram, “because I’m one of those people. But it’s mostly reminders, reminding myself, keep going, whatever.”

For someone with self-reported anxiety, she seems very open, friendly and willing to chat about just about anything. Is that a decision she made, I ask, to discuss all of these topics so honestly? Brewer laughs. No, she says. This is “just me.”

“You’re not gonna probably ever have a conversation with me where some level of my anxiety won’t come up,” she explains. “That’s just who I am. I have anxiety. It’s a pain in my ass like you would not believe. I have anxiety-induced depression where I can’t get off the couch for days. And that’s fine! That’s who I am. It’s people. That’s just what people are. People who don’t have anxiety, fuck you! No, I’m kidding. I’m just kidding. Everyone has their shit.”
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Press/Photos: Madeline for ‘ContentMode’ Magazine

Press/Photos: Madeline for ‘ContentMode’ Magazine

I just want to say, this is my most favorite photo session of her!! My goodness, she can’t be real. hehe. / end fangirl rant

What is your favorite place to be? To live?
My hometown Pitman, on my front porch with my best friends. I love living in LA and NYC but to be happiest, I need to be near lots and lots of trees.

Favorite thing about the place where you grew up?
It’s my home! It’s tiny. You can walk the entire thing easily. The people there are so supportive and it was a nice place to grow up.

Your favorite was of spending time when you are between jobs?
I love hiking, being in the trees, but i also love to lay on the couch and binge entire docu-series.

Favorite way to do so in your downtime on set?
I read voraciously when I’m working.

I can think of a million thoughts on this question, but what are your favorite things about the character of Janine/Ofwarren?
She’s a badass. Janine looks like someone who has been broken but she really is quite the opposite. There’s always something left to be discovered with her as a woman and a character that is endlessly fascinating to me.

Hedgehog is a movie you recently starred in and produced. It’s a lovely film. What were your favorite and least favorite aspects of producing?
Ah producing in the capacity in which I produced on Hedgehog didn’t involve a lot of actual producing.

Was this your first undertaking into a behind-the-camera responsibility?
Yes although I learn so much through every job. I definitely want to spend more time learning about producing and writing and directing so I can eventually be more hands on in those departments.

You also are cast once again against the incomparable Ann Dowd. What is your favorite thing about working with Ann? About Ann in general?
YES! Ann is a generous, intelligent, warm hug of a human being. I love working with her as an actor because I learn so much about what it is to be gracious and an incredibly hard worker. Ann is a very dear person to me. She is a confidante and friend and comedian and mentor. She’s the best, really.

What is the favorite question somebody has ever asked you in an interview?
Oh I love any questions in which I get to gush about the people i work with.

Just a few things I would like to know about you that I couldn’t figure out how to frame within my (probably tedious) thread above:
In my research for speaking with you, it appears that OITNB was your first professional hiring. Is that the case? Could you talk a bit about how that opportunity came about?

Yes! I had spoken with an agency in NYC after they had seen me in a showcase at my college. I was about to graduate and go to do a musical in Connecticut for a few months. When I got back and was looking for apartments in NYC, I was working at Victorias Secret, and this agency thought we should just start sending me out for some TV stuff just to try it out. First audition, I booked Tricia. I went into that room shaking like a leaf, didn’t have my lines memorized, I was completely terrified. Thankfully, Jen Euston saw potential where anyone else would have seen a scared little girl.

Was it your first acting experience – what were you doing when that was happening acting or otherwise. After getting the job were you terrified?
I did theater since I was 7 so i wasn’t unfamiliar with acting in general but i was TERRIFIED when I was on set. Everyone was so kind and helpful. Once, they called second team and I didn’t know what that meant. I didn’t move. Lea Delaria just grabbed me and said something like, Hey come here. If you have any questions at all feel free to ask. I remember what it was like to be on set for the first time.

You imbue each person you play with a beautiful purity, even in the women who aren’t necessarily pure. Do you specifically make a point of finding this emotional arm within the person you play or does it just come about naturally through your, for lack of a better word here, performance?
I do think I try to find an element of vulnerability in every character. I find their “weak” spots. Their moments that make them more human than just character. I’ve been lucky to be on shows in which the writing is outstanding. The writers do most of the work in making these characters whole and nuanced.

What is on the horizon for you in your work both completed and coming up?
My film Cam will be on Netflix by the end of this year I think! I’m so, so proud of that film and the story it’s telling. It’s about a cam girl, a camera sex worker, who in the world of online porn has her identity stolen and she fights to get it back.

Just a few more Favorite questions –
Favorite dress you’ve ever worn?
I wore a Georges Chakra dress earlier this year that made me feel like a punk rock cinderella.

Favorite pair of shoes you own?
I like kicks. I will wear sneakers to any event if you’ll let me (which no one ever does).

Favorite piece of jewelry?
I have a bracelet that says “fucking psychotic” on it. My boyfriend got it for me after knowing me for all of a week. He sees me!

Favorite hair color?
RED. I miss the blonde sometimes but redheads have more fun

Favorite beauty product?
I use mostly all natural Aesop products. My cleanser and exfoliant are Kate Somervile and they are perfect for my skin. I have a Natura Bisse facial peel that is my FAVORITE.

Favorite beauty secret?
My teeth are white as heck since I started brushing with activated charcoal.

Favorite way to end an interview?
Eating food. let’s go!
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Press/Photos: Recent Appearance, Magazine Scans, and Photo Sessions

Press/Photos: Recent Appearance, Magazine Scans, and Photo Sessions

Madeline was out yesterday and recently and I’ve added photos to the gallery, as well as recent scans and photo sessions. She looks so lovely in all the photos. I’m in awe of her style. Enjoy the photos. I’ll add more as they surface. I have a lot more photos to add in the coming weeks so be sure to check back!

Press: Anthony Hopkins, Camille Rowe, Madeline Brewer To Star in ‘Now Is Everything’ Indie Film

Oscar winner Anthony Hopkins, Camille Rowe, The Handmaid Tale‘s Madeline Brewer, and Ray Nicholson (son of Jack Nicholson) will star in the indie drama Now Is Everything, along with Mickey Sumner, Brad Greenquist, Rits Taggard, and newcomer Georgian-American actor Irakli Kvirikadze. Valentina De Amicis and Riccardo Federico Spinotti are co-directing the film, which was written by Amicis, Spinotti, and Matt Handy.

The pic follows fashion photographer, Nicolas Yarna (Kvirikadze), emotionally devastated by the death of his younger brother, Cedric (Nicholson). The mysterious disappearance of Nicolas’ girlfriend, Matilda (Rowe), leads him into a journey of his unconscious where he discovers love and the absence of love.

Two-time Oscar-nominated cinematographer Dante Spinotti (LA Confidential, The Insider) is producing the pic with Marcella Spinotti and Heather Kritzer. Markus Bishop-Hill and Stephanie Rennie will serve as executive producers.

Four-time Oscar-winning costume designer Colleen Atwood (Chicago, Alice In Wonderland) is also on board. Filming is slated to begin this summer in Los Angeles. The film does not yet have distribution but is intended for the major film festival circuit in 2019.
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Press: Netflix Buys Fantasia Festival Thriller ‘Cam’

Netflix is getting a head start on festival season by acquiring the thriller “Cam.”

The film, which premiered at this year’s Fantasia International Film Festival in Montreal, stars Madeline Brewer (“The Handmaid’s Tale”), Patch Darragh (“The First Purge”), Melora Walters (“Venom”), and Devin Druid (“13 Reasons Why”).

The horror movie is a technology-driven psychological thriller set in the world of webcam porn. It follows Alice (Brewer), an ambitious camgirl, who wakes up one day to discover she’s been replaced on her show with an exact replica of herself. As this copy begins to push the boundaries of Alice’s internet identity, the control that Alice has over her life, and the men in it, vanishes. While she struggles to regain what she’s lost, she slowly finds herself drawn back to her show and to the mysterious person who has taken her place.

Daniel Goldhaber directed the pic, which will be co-financed by Blumhouse Productions and Gunpowder & Sky and produced by Divide/Conquer. Goldhaber also co-wrote the story with Isabelle Link-Levy and Isa Mazzei, who penned the script. Link-Levy, Adam Hendricks, John Lang, Greg Gilreath are producing.

“Cam” was one of the big winners of the festival, taking home awards for best first feature and best screenplay.
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