Press: Mamie Gummer, Madeline Brewer, Brian Cox Join William Brent Bell’s ‘Separation’

Mamie Gummer, Madeline Brewer, Violet McGraw and Brian Cox have been added to the cast of Separation, joining Rupert Friend in the pic, a supernatural thriller directed by A Devil Inside helmer William Brent Bell.

The film takes on the horrifying consequences of divorce, and is being described as a cross between Kramer vs. Kramer and films like Sixth Sense and Mama. Friend and Gummer will play Jeff and Maggie, a newly separated couple battling for custody of their 7-year-old daughter (McGraw). Brewer will play the couple’s longtime nanny, and Cox is Maggie’s overbearing father. Nick Amadeus and Joshua Braun penned the script.

Bell is producing with Yale Productions’ Jordan Yale Levine, Jordan Beckerman Russ Posternak and Jesse Korman, along with RainMaker’s Clay Pecorin and Russell Geyser. Seth Posternak and Dennis Rice are xecutive producers, and Yale Productions’ Jon Keeyes is a co-producer.

Gummer, up next in Season 3 of HBO’s True Detective, is repped by CAA and Untitled Entertainment. Brewer, who is currently in Hulu’s The Handmaid’s Tale, is with CAA, Inphenate, and attorney Joe Dapello.
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Press: Handmaid’s Tale star Madeline Brewer on playing a camgirl in Netflix’s webcam porn thriller Cam

The Handmaid’s Tale actress Madeline Brewer delivers a star-making turn in new Netflix Original movie Cam, set within the world of webcam porn.

Brewer plays ambitious camgirl (ie on-screen, real-time sex performer) Alice, aka Lola, who discovers she’s been replaced by an exact replica of herself. Being a horror movie fan, Brewer was interested in the role from the get-go, but had to make sure of one thing.

“After I read it, I was torn because I felt like I couldn’t let anybody else play this character, I have to play her, but it was also tough,” she told Digital Spy.

“This is a difficult character, a lot of moving parts and also I’m not a camgirl, but I wanted to be able to tell the story of a camgirl truthfully and I wanted to do it justice. Then I found out [writer] Isa [Mazzei] was a former camgirl and I was like, ‘I have to do this’.”

According to Brewer, it’s because of Mazzei that Cam avoids being gratuitous and is instead an authentic and “truthful” look at the lives of camgirls, albeit one with potentially supernatural elements at play.

“They gave me the reins of Alice and let me go with what I felt instinctively and Isa kept us in the world of truth and making a different film than we’ve seen before about sex workers and [Director] Danny [Goldhaber] kept us in the world of this is the artistic expression of that,” she reflected.

“It was very collaborative, so much discussion and conversation and I, at every moment, felt like my voice was heard as an actor and as a fellow artist, and that was so important. The character wouldn’t have happened without that rapport.”

The thriller sees Brewer deliver a dual role as both Alice and what the filmmakers called “Lola 2”, the exact replica that takes over Alice’s account.

“Most of the time, we shot a lot of Lola 2 first and then I, as Alice, could watch back Lola 2. But there was a lot of me staring at a screen with tracking marks on it, there was a lot of that which was very challenging,” she explained.

As challenging as it was, Brewer isn’t ruling out returning to the role should there be a sequel if Cam is a hit with audiences.

“I’m really very proud of it. I just believe in all of them so much, having witnessed their artistry first hand. I would play this character again a thousand times over,” she enthused.

Cam arrives on Netflix on November 16.

Video: ‘Cam’ Movie Trailer

From Blumhouse, the producer of GET OUT and UPGRADE comes CAM – a technology-driven psychological thriller set in the world of webcam porn starring Madeline Brewer (Handmaid’s Tale). Watch it on Netflix on November 16.

Photos: CFDA / Vogue Fashion Fund + Photo Session

Photos: CFDA / Vogue Fashion Fund + Photo Session

Madeline was out a couple days ago at the CFDA / Vogue Fashion Fund. She looked so lovely! I’ve also added a photo session of her spread from Vemi magazine. I am trying to find the magazine to buy. I will add scans when I can. Enjoy!

Press: The 10 best new films and TV shows on Netflix UK, November 2018

FILM: Cam (from November 16)
Dir: Daniel Goldhaber Cast: Madeline Brewer, Patch Darragh, Melora Walters
Cert: 15
Year: 2018

In a nutshell: Daniel Goldhaber’s feature debut sees Brewer play a cam girl. When her online life is hacked, and she’s replaced by a doppelganger, she must fight back. It’s an unlikely Hitchcock tale for the millennial age.
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Press/Photos: ‘Hedgehog’ HD Screencaps + Scans

Press/Photos: ‘Hedgehog’ HD Screencaps + Scans

I’ve added HD screencaps of Madeline’s film Hedgehog which costars her Handmaid’s Tale actress, Ann Dowd. It was a good film and a different role for Madeline. You can rent it on Amazon.

I’ve also added magazine scans of Madeline from GQ (Mexico) and The Hollywood Reporter.

Press: New Netflix November 2018 Movie and TV Titles Announced

New Netflix November 2018 movie and TV titles announced

The Netflix November 2018 movies and TV titles have been announced and can be viewed below! All Netflix November 2018 titles and dates are subject to change. You can also view the titles disappearing from Netflix in November underneath. Which Netflix titles are you looking forward to and which are you sad to see leaving the service?

Available 11/16/18
Cam – NETFLIX FILM
Narcos: Mexico– NETFLIX ORIGINAL
Ponysitters Club: Season 2– NETFLIX ORIGINAL
Prince of Peoria– NETFLIX ORIGINAL
She-Ra and the Princesses of Power– NETFLIX ORIGINAL
The Ballad of Buster Scruggs– NETFLIX FILM
The Break-Up
The Kominsky Method– NETFLIX ORIGINAL
The Princess Switch– NETFLIX FILM

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Photos: Recent Event Additions

Photos: Recent Events

I’ve added missing photos of Madeline from recent events and I have many more photos to sort through and add on the site. Sorry for the lack of updates. Be sure to check back for more photos. Enjoy!

Press: Madeline Brewer, ‘Handmaid’s Tale’ Star, Just Wants You to Be OK

The hallways of the Four Seasons Hotel in Beverly Hills are hushed and dark and nearly empty. The doors to certain rooms are marked with women’s names: SAMIRA, ALEXIS, ELISABETH. When those doors swing open to allow you in, the woman on the other side will be very beautiful. She will be made-up, coiffed, nicely dressed, very poised. She will be eager to greet you, to speak with you, to answer all of your questions.

My door is labeled MADELINE, and it grants me access to Madeline Brewer, the 25-year-old actress who plays Janine on Hulu’s adaptation of Margaret Atwood’s 1985 novel, The Handmaid’s Tale, launching its second season Wednesday, April 25. You might remember Janine from when she lost an eye as punishment for disobedience in an early episode, or for her midseason pregnancy, or from the finale, in which she and the baby—sorry, no spoilers, but if you saw it, you know.

Today, Brewer is sitting in a sunlit corner of a well-appointed suite, wearing an orange minidress and high, strappy heels. She is waiting patiently for me to come pepper her with questions about her career (her first role, straight out of college, was an addict named Tricia on Orange Is the New Black; Brewer also appeared on Netflix’s Hemlock Grove and Black Mirror before landing Janine) and perhaps her personal life (she had dinner with Nick Jonas once, and it made a lot of headlines).

I’ve been watching Handmaid’s Tale screeners all morning, previewing its somehow-even-more-fucked-up-than-the first second season, so I come in rattled: There’s something about the contrast between the dark hallways and well-lit jewel box room, the fresh fruit on platters and the publicist in the corner, monitoring our conversation, that feels ominous. But Madeline—she introduces herself as Maddie—is no cowed Handmaid, or even an actress media-trained into giving good sound bite. She’s funny, wry and charming, especially once she warms up to you.

And that’s important to her, that she makes people feel safe and welcomed. Brewer deals with anxiety and depression, which sometimes manifests as social anxiety. “I approach situations with a little more, I like to hope, empathy,” she says. “Because I don’t want to ever hurt someone. I’m a little fragile in that way, because I don’t want that to happen to me. I want to make sure everyone’s comfortable.”

Luckily, she says, her coworkers share the same ethos: “Lizzie [Elisabeth Moss, who plays the show’s lead, June] is the kind of person who scoops you into a big hug when she first sees you, and is like, ‘How are you?’ And you don’t feel like it’s a formality. There’s never been a moment where I’ve felt any level of weird animosity or competition [on set],” Brewer reports, “which I know that there can be. I’ve been on shows where someone was like, ‘You’re in my shot.’ A man. I was like, ‘Excuse me for existing.’”

I recoil. Brewer shrugs. “People do that. It’s the nature of our business! We’re all a little bit vain. We put our faces on a screen and expect people to look at them.” She gestures at the mirrored wall behind her. “I did all of my phone interviews while staring myself in the face. I’m not kidding. I don’t care. I’ll admit it! And I’m just, like, checking myself out. Like I don’t see enough of myself.”

The pressure put on everyone in Hollywood—but particularly young actresses—to appear a certain way means that Brewer is especially grateful for the unprettiness of the characters she portrays on screen, which allow her to escape, even briefly, that type of self-scrutiny. “I find myself most comfortable in something opposite of me, because I live in the Instagram age,” she says. “So it’s really, really liberating as a person, but also as a character, to not be like, ‘I hope I look thin in this.’ I don’t think about that when I’m wearing six layers of robes.”

Letting go of aesthetic concerns helps keep her centered in her performance. On Orange Is the New Black, Tricia was a prisoner worried about feeding her addiction, and whether her girlfriend would leave her once they weren’t serving time in adjacent cells; Janine lives in a misogynist dystopia in which her only role is to deliver viable, healthy babies for a man who owns her like property.

“They don’t give a shit about what they look like,” Brewer says of her characters. “They don’t care! I mean, there is a deep part of Janine that’s like, ‘I have one eye—who will ever love me?’ but that’s a whole other can of worms. On her day-to-day, Janine doesn’t get up and think about what her arms look like. ‘Should I do more push-ups?’ She doesn’t give a shit.”

Brewer, however, lives in America, which may get compared to The Handmaid’s Tale’s Gilead, but isn’t there yet. So she copes with her reality the way most of us do. She decompresses from the intensity of her work by taking long baths: “If it’s been a particularly emotional day, sometimes I go home and cry in the bath, and then I go to bed,” she says. But no matter what, “There’s always a bath. Whether it’s been a good day, bad day, what have you, there’s always a bath. Working or not, there is a bath.”

She favors Lush bath oils for keeping her skin smooth. “I’m super dry,” she reports. “I’m like the driest person. I got a facial yesterday, and the person was like, ‘We need to help you.’” (To be fair, she notes, she’s been traveling like crazy—Los Angeles, Toronto, New York—which tends to take a toll on the complexion.)

Brewer does use Instagram, though not just for selfies. It’s a part of her creative practice, helping her more deeply imagine Janine’s experiences of motherhood—especially important since Brewer doesn’t have kids of her own.

“I actually have a Finstagram, like a burner Instagram,” she explains, “and on it I have pictures of babies I don’t know, which is weird. I have a lot of pictures on my phone of random people’s babies that I found on the internet that I imagine [Janine’s children] might look like, just to try. I pick the ones I think kind of look like me. It’s just this weird thing that I do.”

She also has a manifestation Instagram, “because I’m one of those people. But it’s mostly reminders, reminding myself, keep going, whatever.”

For someone with self-reported anxiety, she seems very open, friendly and willing to chat about just about anything. Is that a decision she made, I ask, to discuss all of these topics so honestly? Brewer laughs. No, she says. This is “just me.”

“You’re not gonna probably ever have a conversation with me where some level of my anxiety won’t come up,” she explains. “That’s just who I am. I have anxiety. It’s a pain in my ass like you would not believe. I have anxiety-induced depression where I can’t get off the couch for days. And that’s fine! That’s who I am. It’s people. That’s just what people are. People who don’t have anxiety, fuck you! No, I’m kidding. I’m just kidding. Everyone has their shit.”
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Photos/Videos: 2018 Emmy Coverage – Master Post

Photos/Videos: 2018 Emmy Coverage – Master Post

Madeline is in attendance tonight at the 2018 Emmy awards and she looks stunning!! This post will serve as a master post of photos and videos of her at the event. I will update this post with new links to photos and videos so be sure to check back! Enjoy!