Madeline was out a couple days ago at the CFDA / Vogue Fashion Fund. She looked so lovely! I’ve also added a photo session of her spread from Vemi magazine. I am trying to find the magazine to buy. I will add scans when I can. Enjoy!
Category: Photo Sessions
Madeline has been out this weekend attending pre-Emmy events in honor of The Handmaid’s Tale nominations. We’re so excited for her and the series! The Emmy awards are tomorrow night so be sure to tune in. Check out photos from her attendance at pre-Emmy events. She looks magical at the events. I’ll update this post with new photos as they surface. Enjoy!
September 14 – Audi Celebrates The Emmys
September 15 – Television Academy Honors Emmy Nominated Performers
September 15 – Entertainment Weekly Pre-Emmy Party
September 15 – Variety And Women In Film Pre-Emmy Celebration
September 15 – BAFTA LA + BBC America TV Tea Party
2018 – Photo Session #011
September 12 – “Assasination Nation” LA Premiere – recent additions
I just want to say, this is my most favorite photo session of her!! My goodness, she can’t be real. hehe. / end fangirl rant
What is your favorite place to be? To live?
My hometown Pitman, on my front porch with my best friends. I love living in LA and NYC but to be happiest, I need to be near lots and lots of trees.
Favorite thing about the place where you grew up?
It’s my home! It’s tiny. You can walk the entire thing easily. The people there are so supportive and it was a nice place to grow up.
Your favorite was of spending time when you are between jobs?
I love hiking, being in the trees, but i also love to lay on the couch and binge entire docu-series.
Favorite way to do so in your downtime on set?
I read voraciously when I’m working.
I can think of a million thoughts on this question, but what are your favorite things about the character of Janine/Ofwarren?
She’s a badass. Janine looks like someone who has been broken but she really is quite the opposite. There’s always something left to be discovered with her as a woman and a character that is endlessly fascinating to me.
Hedgehog is a movie you recently starred in and produced. It’s a lovely film. What were your favorite and least favorite aspects of producing?
Ah producing in the capacity in which I produced on Hedgehog didn’t involve a lot of actual producing.
Was this your first undertaking into a behind-the-camera responsibility?
Yes although I learn so much through every job. I definitely want to spend more time learning about producing and writing and directing so I can eventually be more hands on in those departments.
You also are cast once again against the incomparable Ann Dowd. What is your favorite thing about working with Ann? About Ann in general?
YES! Ann is a generous, intelligent, warm hug of a human being. I love working with her as an actor because I learn so much about what it is to be gracious and an incredibly hard worker. Ann is a very dear person to me. She is a confidante and friend and comedian and mentor. She’s the best, really.
What is the favorite question somebody has ever asked you in an interview?
Oh I love any questions in which I get to gush about the people i work with.
Just a few things I would like to know about you that I couldn’t figure out how to frame within my (probably tedious) thread above:
In my research for speaking with you, it appears that OITNB was your first professional hiring. Is that the case? Could you talk a bit about how that opportunity came about?
Yes! I had spoken with an agency in NYC after they had seen me in a showcase at my college. I was about to graduate and go to do a musical in Connecticut for a few months. When I got back and was looking for apartments in NYC, I was working at Victorias Secret, and this agency thought we should just start sending me out for some TV stuff just to try it out. First audition, I booked Tricia. I went into that room shaking like a leaf, didn’t have my lines memorized, I was completely terrified. Thankfully, Jen Euston saw potential where anyone else would have seen a scared little girl.
Was it your first acting experience – what were you doing when that was happening acting or otherwise. After getting the job were you terrified?
I did theater since I was 7 so i wasn’t unfamiliar with acting in general but i was TERRIFIED when I was on set. Everyone was so kind and helpful. Once, they called second team and I didn’t know what that meant. I didn’t move. Lea Delaria just grabbed me and said something like, Hey come here. If you have any questions at all feel free to ask. I remember what it was like to be on set for the first time.
You imbue each person you play with a beautiful purity, even in the women who aren’t necessarily pure. Do you specifically make a point of finding this emotional arm within the person you play or does it just come about naturally through your, for lack of a better word here, performance?
I do think I try to find an element of vulnerability in every character. I find their “weak” spots. Their moments that make them more human than just character. I’ve been lucky to be on shows in which the writing is outstanding. The writers do most of the work in making these characters whole and nuanced.
What is on the horizon for you in your work both completed and coming up?
My film Cam will be on Netflix by the end of this year I think! I’m so, so proud of that film and the story it’s telling. It’s about a cam girl, a camera sex worker, who in the world of online porn has her identity stolen and she fights to get it back.
Just a few more Favorite questions –
Favorite dress you’ve ever worn?
I wore a Georges Chakra dress earlier this year that made me feel like a punk rock cinderella.
Favorite pair of shoes you own?
I like kicks. I will wear sneakers to any event if you’ll let me (which no one ever does).
Favorite piece of jewelry?
I have a bracelet that says “fucking psychotic” on it. My boyfriend got it for me after knowing me for all of a week. He sees me!
Favorite hair color?
RED. I miss the blonde sometimes but redheads have more fun
Favorite beauty product?
I use mostly all natural Aesop products. My cleanser and exfoliant are Kate Somervile and they are perfect for my skin. I have a Natura Bisse facial peel that is my FAVORITE.
Favorite beauty secret?
My teeth are white as heck since I started brushing with activated charcoal.
Favorite way to end an interview?
Eating food. let’s go!
Madeline was out yesterday and recently and I’ve added photos to the gallery, as well as recent scans and photo sessions. She looks so lovely in all the photos. I’m in awe of her style. Enjoy the photos. I’ll add more as they surface. I have a lot more photos to add in the coming weeks so be sure to check back!
Janine has been to hell and back. Yet the dystopian drama is still the most fun work the actress has ever had.
Madeline Brewer knows the second season of The Handmaid’s Tale is hard to watch. “I did not breathe for the first 20 minutes of the first episode,” says the actress, whose sunny personality parallels that of her character in the Hulu dystopian drama: Janine, an improbably, relentlessly cheery handmaid, all red curls and bounciness. “I had to stop watching it and just take a minute to sob, and feel what I was feeling.”
The scene she’s talking about—in which handmaids who refused to stone Janine last season think they are going to be hanged until, at the last minute, it’s revealed to be a cruel, punitive ruse—set the terrible tenor of the show’s sophomore season. Based on Margaret Atwood’s novel about a near-future, religiously radicalized America in which an underclass of fertile women are forced to become breeders for political elites, The Handmaid’s Tale has never been easy to stomach. And, unusually, even though she’s in the show, Brewer understands how emotional a viewing experience it can be for the unprepared: “I stopped reading the scripts, and I’m finding it out with everybody else,” she says. “I watch it with my boyfriend and my friends and my mom.”
Isn’t it challenging, watching a show in which her character is raped and tortured, her right eye removed for no bigger crime than insolence, with people who love her? In this season, Janine has been sent to work in the toxic wasteland of the Colonies, and also returned to the civic terrain of Gilead, where she is once more made to have sex each month with her designated commander in the hope that she’ll bear a child for him and his wife. “It makes you think of what people can become and what they’re capable of,” Brewer answers, pondering the show’s dark-mirror reflection of our own society. “It makes you think this of yourself too: Who would I be in that situation? Would I take on the role of the warrior, or would I take on the role of Janine—the eternal optimist, but who’s not ready to fight the fight yet? Would that be me?”
“Optimist” is putting it lightly. The other handmaids are crumbling in the regime’s grip. One abused handmaid detonated a suicide bomb inside a gleaming new government building. Since her own return to Gilead, Emily (Alexis Bledel) is becoming more brittle and angry by the day. June (Elisabeth Moss), prostrated by guilt and grief at the execution of a man who tried to help her escape, has finally internalized Gilead’s lies. Yet somehow, against the persistent hell of authoritarianism, Janine has managed to retain a sense of wonder and innocence. Brewer imbues her with an impossibly springy effervescence; much like a straggling dandelion in the Colonies that she makes a wish on, Janine is the one bright—even funny—spot of the show.
“It’s a real privilege, honestly, to not just be stuck in these intense dark moments,” she says. “Janine’s in her own world by choice. She’s like, No, can’t do that, I’m going to look for the good. This season, she’s just so grateful to be alive, and that is what keeps her going.” Take, for example, the scene in which Janine happily looks on as two women, one of whom is on her deathbed, are wed in the dingy Colonies barracks. The ceremony was her idea. “I think she feels like, I’m doing this because we need something beautiful…. Those two are still in love with each other. That hasn’t been taken from them.”
That is, until her return to Gilead brings her back into the orbit of her baby. Hearing a rumor that baby Charlotte—her Gilead “parents” call her Angela—is very ill, Janine stumbles; all the sunshine is suddenly gone, replaced by a desperate desire to see and touch her daughter again. “It’s excruciating to be away from your child. I’m sure several mothers know what that’s like right now,” she says, referring briefly but pointedly to current affairs. Despite not being able to raise or even see her, Janine has kept Charlotte close. “There’s this part of Janine’s costume, a woven vest,” Brewer explains. Ane Crabtree, the Handmaid’s Tale costume designer, started calling it a web, which naturally evolved into “Charlotte’s web.” “It’s like carrying Charlotte with her through her every day. Just a little piece, even if it’s just imaginary.”
In a future plagued by infertility, motherhood has become so fraught and valuable a capability that the handmaids, bound to sexual labor because of their fertility, have a strange sort of power. In the most recent episode, “Women’s Work,” this plays out explicitly: Because Charlotte is now ailing beyond the point of medical help, Janine is permitted to see her one last time. Her presence, though, is exactly what saves the child. The episode closes with Janine stripped down to her underclothes, holding Charlotte to her chest, and singing Dusty Springfield’s “I Only Wanna Be With You” to a now laughing, happy, healthy girl. “It’s a true testament to human touch, and the importance of a mother’s love,” Brewer says of the game-changing moment. With the handmaids angry and hopeless enough to commit terrorist attacks; with June reminded of what power feels like thanks to a brief, illicit political collaboration with Serena Joy; and now with this indication that at least one handmaid has a mothering advantage over a Wife, there’s a sense that the tide is turning.
But this slightly triumphal moment is a rare one in a season that has showed the growing cracks in Gilead and the ever more brutal ways in which it punishes those who want to destroy it. Simply watching an episode feels like an emotional marathon; what could it possibly be like to film? “I’m very lucky in that as soon as I put the eye on”—the prosthetic scarring over her character’s injury—”I feel more like Janine. And as soon as I take it off, I leave Janine there,” Brewer says. “If I’m on set, I have that eye on, and it feels weird and it itches and it’s claustrophobic. I imagine that’s some of how Janine feels, you know? She’s missing all of this periphery.”
Brewer laughs, though, saying that Nina Kiri, who plays fellow handmaid Alma, will try to surprise her by standing just outside her field of vision. I joke that the prank seems a little rude, and Brewer explains that while filming can be physically grueling—shooting for the Colonies took place 90 minutes outside Toronto, where it was “fucking frigid,” and the air was filled with tiny, throat-clogging feathers to create the evil haze we see on screen—the set is actually, surprisingly, a great place to be: “We’re goofy as hell, but we’re making this just incredibly heart-wrenching show. And it’s crazy to say it’s the most fun I’ve ever had working.” What do they do to decompress between scenes? “Honestly, sometimes we’re online shopping on our phones or, you know, Snapchatting people. Just talking about family and life and getting to know each other as people.”
By this point, Brewer must know Janine incredibly well. Did she have an idea of what Janine was wishing for when she spotted that tiny yellow flower in the barren Colonies? “Yeah,” Brewer says, eyes shining but resolute. Does she want that to be a secret? “I think I want to keep it,” she says, smiling. And what about Brewer herself—does she cherish any wishes about what she’d like people to take away from this demanding, soul-excavating show? That, at least, is something she’s all too ready to share. “I want people to be awake. I want them to be aware,” she says. “The show requires you to do some work. You have to feel. You have to open your eyes and open your heart, and I hope that people carry that into the rest of their lives.”
For herself, the show has already had an impact: “It makes me feel like I need to invest more in sisterhood. In my female relationships and in all walks of life. But it might not make a man feel that. It might make a man feel like, Maybe I need to get more involved in Planned Parenthood. Maybe I need to just shut up and listen.” It might be different for everyone, she muses, whether it’s running for congress (“I’m not qualified,” she whispers) or whatever. But: “If some part of The Handmaid’s Tale makes them feel like, I have something to say, then fucking say it. Please. Just get it out there.”